About me
My passion for theater started in high-school, at the local theater club named COLB, where I worked as a light and sound operator for the national theater festivals. I went on studying at SAE Institute Bucharest, being certified in Live Sound Engineering. After having obtained my certification, I started working for the Hungarian National Theater in Cluj-Napoca, Romania, where I gained experience, not only as a sound engineer,editor, utility sound technician but also a projectionist.
trackrecord
During my time at the theater, I primarily worked as a sound engineer for various projects, recording and editing sound for: short-films, Virtual Reality films, conferences, interviews, advertising content, promotion trailers for theater pieces with international directors.
In addition to that, I activated as the utility sound technician, crew member of the sound department in sync with the camera operators.
I also worked freelance as a sound engineer and utility sound technician at medieval festivals touring in all Romania being responsible for medieval theater pieces, fighting demonstrations and medieval dances.
In between the free time I had, I worked as a sound engineer and utility sound technician with bands like Loutfire, Ether, Nocturnal Entity.
In addition to that, I activated as the utility sound technician, crew member of the sound department in sync with the camera operators.
I also worked freelance as a sound engineer and utility sound technician at medieval festivals touring in all Romania being responsible for medieval theater pieces, fighting demonstrations and medieval dances.
In between the free time I had, I worked as a sound engineer and utility sound technician with bands like Loutfire, Ether, Nocturnal Entity.
awards
UNITER Award won for the theater piece NORA from the National Hungarian Theater that i developed and put into the repertoire.
hardware knowledge
Mixers:
Roland M-5000
Behringer x32
various analog Mackie
Soundcraft si 3+
Various Behringer analog mixers
Yamaha 01V96
Audio interfaces:
RME
Motu
Audient
Behringer
Roland M-5000
Behringer x32
various analog Mackie
Soundcraft si 3+
Various Behringer analog mixers
Yamaha 01V96
Audio interfaces:
RME
Motu
Audient
Behringer
software knowledge
Logic Pro, Reaper, Ableton, Adobe audition, Resolume Arena, Q lab
remarks
Creative and technical mindset who sees sound equipment installation and calibration as my own arm extension, it is my way of putting the film director's idea into practice and bring art to life.
Education
SAE Institute - Live Sound engineering · SAE Institute
2016