As a cinematographer, I’d like to be involved in the creative process of the director and work, backed with screenwriting and directing experience, beyond the borders of the work of a "traditional cinematographer." Flexible and fluid, I adjust myself to the needs of the director and project. In my work I strive to look beyond the beauty or aesthetics of a shot and look for a deeper visual concept that fits seamlessly with the story. A director has to work under a lot of emotional and financial pressure, which could lead to stylistic decisions that have the illusion of safety. When it comes to style, I try to keep the director away from that fake feeling of safety and push the director to look for something that is highly expressive but not distracting. A style that feels fresh, innovative, but above all; simple.

I believe the creative process with the director, and the style that comes naturally from that process should dictate the budget. When it comes to dividing the budget, I believe more in shooting time and the creative process than in equipment or crew size. That’s why I like to be involved in the conversation about dividing that budget.

When it comes to shooting, I want to be well prepared, while remaining focused and open to any changes. If something unexpected happens, I like to stay open-minded. If it works with the story or style, I like to use it in the scene or shot. More than once, the shots that are not planned end up being the most powerful.