Cindy Jansen
directing, screenplay, editing,
Rotterdam / NL
productions
productions
|
2004 drama / 12:26 min. / Balance MHP / ICJ productions / Cindy Jansen film producer / directing / screenwriting |
||
videos
videos
details
details
trackrecord
Belgrade Forest, 2011, 42 min.
With Love, 2011, 9 min, director,
Come Spring, 23 min, screenplay, direction, editing, still photography, 2009
Don't hit me I love you, 12 min, direction. 2008
Oswald's Traces, 10 min, director. 2005
Useless is Blood, 11 min, screenplay, direction, production, sound, editing. 2004
Alice, 35mm, screenplay, direction, co-production. 2004
With Love, 2011, 9 min, director,
Come Spring, 23 min, screenplay, direction, editing, still photography, 2009
Don't hit me I love you, 12 min, direction. 2008
Oswald's Traces, 10 min, director. 2005
Useless is Blood, 11 min, screenplay, direction, production, sound, editing. 2004
Alice, 35mm, screenplay, direction, co-production. 2004
awards
One Minute Awards 2005. Usess is Blood. 2nd prize for best documentary/daily life.
Festival for Dark Revelations, 2010, prize for best Cinematography.
Festival for Dark Revelations, 2010, prize for best Cinematography.
ask me for
Regie voor een goed script.
specifics
The diversity of today's society is between the extremes of encouraged and unacceptable behavior. The standards of the ‘middle’ determine to what extent behavior is socially accepted or considered deviant. Visual communication plays an important role in this. Changing manners as a result of digital and social media, such as far-reaching individualism versus mass behaviour, competition and fame versus social isolation and the sexualization of consumerism, demand a critical attitude towards these social shifts.
In my work a language is used that creates a dialogue with the individual signifier. The viewer is transported into another reality through suggestion or a compelling (re)presentation of the subject. The viewer's reaction to what is shown places the work in a broader, existential framework; that of contemporary morality and ethics.
In my work a language is used that creates a dialogue with the individual signifier. The viewer is transported into another reality through suggestion or a compelling (re)presentation of the subject. The viewer's reaction to what is shown places the work in a broader, existential framework; that of contemporary morality and ethics.
software knowledge
Final Cut Pro
Adobe Photoshop
In design
Adobe Photoshop
In design
education
education
workshops
| Binger Filmlab Directors program | 2006-2007 |
| Binger Filmlab Directors program Scriptwriters program | 2005 |
other education
| Nuova Academia di Belli Arti | 1998-1999 |
| Artez Beeldende Kunst en Vormgeving | 1994-1998 |
website
website
info
info
CINDY JANSEN (Veghel, NL, 1976) Lives and works in Rotterdam, The Netherlands. Jansen graduated from the Academy of Visual Arts in Arnhem (NL), Milan (I) and the International Script Development and Directors Program of the Binger Filmlab in Amsterdam (NL). Jansen showed her films at several national and international film festivals, among which Hamburg, Rotterdam and Edinburgh. Her videos and photo works were presented in multiple group- and solo-exhibitions, like Loop '05 Barcelona (ES), Noorderlicht Photo Festival Groningen (NL), and Gerhard Hofland Gallery, Amsterdam.
Jansen's films and videos vary from non-linear narrations to more fragmented artworks that find their platform in both the art scene and film festivals. She is known for her cinematic framing, contemplative style and slow-burn reveal editing.
Jansen's films and videos vary from non-linear narrations to more fragmented artworks that find their platform in both the art scene and film festivals. She is known for her cinematic framing, contemplative style and slow-burn reveal editing.
contact
contact
sections
sections
- freelance teacher
- editing - final cut pro
- directing - all round
discipline
discipline
Documentary, Short film, Feature film, Experimental