Are there any producers here who happen to be interested in making English-language fiction? I'm looking for people who are interested in working on both short films and features, although I understand not every producer wants to focus on both.

At the moment, this is still in the orientation phase, and the projects are in an early stage. That's why it's difficult to say anything meaningful about budgets just yet. If you're interested in introducing yourself — purely as a no-strings-attached introduction, feel free to send an email to [email protected].

You can find my work here: www.yourguyoscar.com, and I will gladly share my scripts and fiction work via email.

DUTCH:

Are there any producers here interested in making English-language fiction? I'm looking for people willing to work on both short and feature films, though I understand that not every producer wants to focus on both.

At the moment, this is still in the orientation phase and the projects are still in their early stages. Therefore, it's difficult to say anything concrete about budgets at this stage. Interested in a no-obligation introduction? Feel free to send an email to [email protected].

You can view my work at www.yourguyoscar.com, and I'm happy to share my scripts and fiction via email.

What do we offer?
This depends on the project you end up working on, what we agree on, and how this develops.

If, for instance, for a short film we agree that beyond receiving a certain funding, we can pay the crew, it is expected that you also get paid. The same would apply to a feature.

Additionally, the work should be of high production value and if all goes well, will be screened at top-tier film festivals and therefore a potential good addition to your portfolio.

And in case of short film acting as a proof of concept film, there would be an assumption that if we successfully use this as a jumping block to make a feature, you would be offered a role in this production as well and that this would be of monetary value to you.

DUTCH:

This depends on the project you ultimately work on, what we agree on together, and how everything develops.

For example, if we secure funding for a short film to pay the crew, it's self-evident that you'll get paid too. The same goes for a feature film.

We also strive for high-quality productions, aiming for screenings at leading film festivals. Hopefully, this will make it a valuable addition to your portfolio.

If a short film serves as a "proof of concept" for a feature film, the starting point is that if we can successfully develop a feature, you will also have a role in it.

Type
professionele productie / lowbudget

Location
Amsterdam/The Netherlands

Description
Producers who are excited to work on English-speaking shorts/features of different levels of experience.

One of the first tasks will be applied for funding, which is something I will be involved in as well. So it's not that the expectations are that the producer will provide all of this work.

DUTCH:

Producers who are enthusiastic about working on English-language short films and/or feature films, with varying levels of experience.

One of the first tasks will be applying for funding. I will actively participate in this process, so the producer is certainly not expected to take on this entirely on their own.

Job requirements / profile
Right now, I'm still setting up various production teams. It's important to have some sort of an overview of your skill set and experience. Therefore, it would be great to receive your portfolio and CV.

DUTCH:

I'm currently setting up several production teams. It's important to get a good idea of your skills and experience. Therefore, I'd like to receive your portfolio and resume.

Language requirements
English / Dutch

Respond / more information
you have to log in to reply